Henri Matisse, in the last decade of his life, following repeated, debilitating surgeries, his eyesight also failing, and so weak he could no longer get out of bed, adjusted to his condition by moving to huge sheets of paper he could still see and large blocks of painted paper meticulously arrange by assistants according to the master's directions. The work was necessarily abstract. No more could he create the intricate, flat, interior designs or two-dimensional painted figures that had long been the hallmark of his flamboyant style. His gouache on paper work entitled The Snail, created in 1953, just a year before he died, is an excellent example of the adjustments an old man made in continuing to do as best he could what best he loved.
|The Snail, 1953,|