|The Fiddler, 1912-13, Marc Chagall|
As a young man, Chagall's family strongly discouraged his decision to enter art school in St. Petersburg and later Paris. It was 1910 when Chagall arrived in the City of Lights and fell into line with the hot young radicals of the art world, men like Picasso, Matisse, Miro, and others. Following in the artistic path of the previous generation comprising Cezanne, Van Gogh, and Monet, Chagall and his friends were strongly influenced by the contemporary writings of Sigmund Freud, especially his ideas about dreams and the subconscious. And like Miro, he fashioned his own surreal world in paint, drawing from the dreams and fantasies of his childhood. His work if filled with somewhat cubistic symbols of his Russian, Jewish, and agrarian past. But unlike some artists, whose work dealt with the subconscious, Chagall's paintings tended toward happy, childlike images.
After the Russian Revolution, Chagall briefly returned to his native land where he found a post as director of culture in his home province, but instead of directing the painting of Communist Party propaganda and revolutionary images of Marx and Lenin, he had the townspeople decorating their drab existence with murals of brightly colored farm animals and children playing. Having taken his appointment a little less seriously than party official would have liked, he soon found himself an outcast from mother Russia and spent the rest of his life living and working in Paris, transporting himself through his paintings back to the life he knew and loved in the sophisticated, yet joyful painted images that elevated him late in life to one of the most beloved artist of the twentieth century.