|Sagrada Familia, (scale model),|
1882 to present, Antoni Gaudi
As painters, we tend to think that we "own" the various historic art movements our craft and the practitioners thereof have fostered over the years. We seldom stop to think that there is Baroque music or Impressionist poetry, or that Dada also had its manifestation in drama. Surrealism is an interesting example. Did you know there is Surrealist architecture? Really! Did Salvadore Dali take to designing skyscrapers? No, although he dabbled a little in fashion design, Dali left the Surrealist architecture to a fellow Catalan, a man by the name of Antoni Gaudi (pronounced GOW-dy). Never heard of him? Well, if you lived in Barcelona, Spain, you would have. His magnificent cathedral, the Sagrada Familia, there is practically the logo for the city, even though mostly it consists of the crypt and eight bottle-shaped spires making up the transept.
|Sagrada Familia, 2009 photo, still only about|
|Casa Mila, Barcelona, 1907, Antoni Gaudi|
Gaudi has even contributed his name to our vernacular--gaudy. It's something of a misnomer though, because, while his structures are quite phantasmagorical, his colors are very earthy, nothing at all like the strident, perhaps discomforting hues we might associate with the word. Gaudi's work is a strange anomaly. His inspiration seems to have been nature itself, rather than other architects or architectural styles. Likewise, his work is so unique, he's had few if any followers. And, while his building medium of choice would appear to be free-formed concrete or stucco, the facade of Casa Mila is actually cut stone the roof, marble tiles, the chimneys constructed of the fragments of that stone left over from construction, concreted together along with tiny pieces of broken glass as they spiral into the sky. Even the floor plan has a sort of random quality to it, centered on one oval and one fan-shaped courtyard providing light to inner rooms. If you should ever visit Barcelona, seek out this 1907 vintage structure, but take note--signs along the street remind pedestrian tourists to beware of passing cars. People have actually been killed gawking at this structure.