Irren-Anstalt Band-Hain, 1910, Adolf Wolifi, one of the earliest examples of Art Brut |
Ever hear of "Art Brut?" Chances are, especially if you have children, that you
may have some. If they're young, it's probably on the refrigerator door. If not,
check the old trunk in the attic where you keep their school report cards and
scrapbooks. If you have no children, you may have some of your own Art Brut,
especially if you have "pack rat" tendencies. What is "Art Brut?" Translated it
means raw art. French artist Jean Dubuffet called it, "Art (that) doesn't lie
down in the beds you make for it." If you collect weird things, rocks,
seashells, dead flowers, funny shaped potato chips, or if you make weird things
- wood carvings, indecipherable drawings and paintings - or even write weird
things, music, poetry, especially if it's accompanied by illustrations, chances
are you're into art brut. Perhaps it's easier to define by its limitations - art
without training.
Jean Dubuffet Self-portrait, 1966 |
Though he had some early training in art, no one knew more about art brut
than Jean Dubuffet. Though technically a Post-WW II painter, Dubuffet often used
paint more like glue, merely as a colourful binder to incorporate just about
anything else into his paintings. If it could be ground up and mixed with paint,
it was fair game. Dubuffet became enthralled with the art of young children and
attempted to carry this innocence into his own work. And he began to collect
such things, primarily the work of the insane and mentally disturbed. When he
died in 1984, he left a sizable collection of his own work, and that of others
which he'd amassed, to the Swiss city of Lausanne where he'd spent much of his
youth. Even before his death, in 1975, in an 18th century chateau he owned
there, Dubuffet opened his Collection de l'Art Brut, a sort of "anti-museum" to
display some 5,000 pieces of such work. Today, the museum has about 30,000
pieces, of which only about 800 can be displayed at one time (a plight
apparently shared by anti-museums as well as those of the regular sort).
le Théâtre de l'univers, ca. 1936, Aloise Corbaz, |
So, what might you find on the dark, blackened walls of an "anti-museum?" How
about stones collected by an Austrian prince which resemble animals or figures.
He believed they were prehistoric sculptures. Or the work of Aloise Corbaz, a former
governess at the court of Germany's Kaiser Willhelm II. Her brightly coloured
drawings were her only communicative outlet as she did all the ironing at an
asylum to which she'd been committed for her "extreme pacifism." Then there's
the collection of people and animal figures once belonging to a telephone
operator (thought by her to have magical powers). There's also the amazing,
colourful costumes sewn together by an American drifter from scraps of cloth he
begged for on the street. You'll find figurines made of bread crumbs and unbaked
clay dipped in glue - a whole orchestra of them in fact. The anti-museum even
has an entire wall of intricately carved wood from a French asylum, hewed with a
broken spoon by a French shepherd confined for trying to set fire to his family
home with burning bank notes.
The Realms of the Unreal, 1973, Henry Darger |
One of the anti-museum's most amazing works is a 15-volume manuscript with
hundreds of illustrations, some more than ten feet wide, detailing the
adventures of seven sisters in a bloody war of liberation against the
Landelinians, a fictional group of villains who enslaved children. The
watercolour paintings and their accompanying manuscript, The Realms of the
Unreal, were the work of Henry J. Darger, a Chicago hermit and part-time
hospital custodian, who died in 1973. His landlord found them and donated them
to the museum. About the same time, a Swiss psychiatric patient wrote music, not
words, accompanying himself with similar fanciful drawings of exquisite detail
and beauty. It was music no one as yet been able to decipher. For all its varied
forms, art brut is art from the frontiers of mental excursion. It is art in
revolt. Some of it is art only by the broadest definition of the term. All of it
is art in its purest, rawest, unrefined form - art which operates within its own
realm of creative expression.
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