|I Want You, 1917, James Montgomery Flagg|
--the face perhaps most responsible for winning WW I.
|James Montgomery Flagg |
The invention of Uncle Sam ranks right up there with that of Santa Claus as among the most influential men who never lived. Of course Flagg didn't "invent" Uncle Sam any more than another illustrator, Thomas Nast, invented Santa Claus. Flag and Nast merely showed us what these men looked like--in Flagg's case, like himself. He used his own hansom face as a model (adding a few wrinkles along the way). The pose wasn't original (borrowed from a similar British recruitment poster), nor was the costume or the white goatee, but the face was pure Flagg (originally to save time, if not money, in hiring a model).
|Flagg as Uncle Sam posing his model.|
|The Red Cross needed Flagg too.|
|The Fencer, (the alternate |
title is obscene),
James Montgomery Flagg
Now, lest you get the notion James Montgomery Flagg painted only patriotic recruitment posters, there was another side to the man. He was a very adept portrait painter. Also, in addition to run-of-the-mill magazine ads, usually for men's clothing (in which he demanded his name not be used), Flagg was Life Magazine's answer to Norman Rockwell, but with something of a spicy twist. Beyond that, however, the man also loved painting nudes, as seen in his voluptuous The Fencer (left). And, while many artists down through the centuries have painted nudes, Flagg did so on a regular basis, supplying fodder for pinup calendars, salacious, even by today's standards, but considered just short of hard core pornography in that era.
|Nervy Nat took his airship to Venus (in search of girls, what else?) The welcoming party left something to be desired, as did his crash landing in Paris.|
|Flag with his studio assistant|
|Flagg's sense of humor extended|
to his covers for Life, this one from